Beck Gibson Amphitheatre Tickets - Gibson Amphitheater Concert Tickets

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One of the most inventive and eclectic figures to emerge from the '90s alternative revolution, Beck was the epitome of postmodern chic in an era obsessed with junk culture. Drawing upon a kaleidoscope of influences -- pop, folk, psychedelia, hip-hop, country, blues, R&B, funk, indie rock, noise rock, experimental rock, jazz, lounge, Brazilian music -- Beck created a body of work that was wildly unpredictable, vibrantly messy, and bursting with ideas. He was unquestionably a product of the media age -- a synthesist whose concoctions were pasted together from bits of the past and present, in ways that could only occur to an overexposed pop-culture junkie. His surreal, free-associative lyrics were laced with warped imagery and a sardonic sense of humor that, while typical of the times, only rarely threatened the impact of his adventurous music. Beck appropriated freely from whatever genres he felt like, juxtaposing sounds that would never have co-existed organically (and his habitual irony made clear that he wasn't aiming for authenticity in the first place). If his musical style was impossible to pigeonhole, his true identity lay in that rootless, sprawling diversity, that determination to acknowledge no boundaries or conventions; everything he did bore the stamp of his distinctively skewed viewpoint. Beck caught his big break when the bizarre Delta blues/white-boy-rap pastiche "Loser" spawned a national catch phrase in early 1994. His debut album, Mellow Gold, became a hit, and the official follow-up, the Dust Brothers-produced Odelay, was widely acclaimed as one of the decade's landmark records. Beck followed those touchstones with genre exercises in folk and funk that still managed to dazzle with their variety, solidifying one of the most creatively vital oeuvres in alternative rock -- or all of modern pop music, for that matter.

Beck David Campbell was born July 8, 1970, in Los Angeles , and came from strong creative stock. His father, David Campbell, was a conductor and string arranger (who later worked on his son's records); however, he left the family early on, and Beck adopted the last name of his mother Bibbe Hansen, a regular on Andy Warhol's Factory scene who appeared in the Warhol film Prison. Moreover, his grandfather Al Hansen was an important figure in the Fluxus art movement, best known for launching the career of Yoko Ono. The young Beck Hansen grew up mostly in Los Angeles , also spending some time with both sets of grandparents (Al Hansen in Europe, and his other grandfather -- a Presbyterian minister -- in the Kansas City area). He dropped out of school in tenth grade, and began playing acoustic blues and folk music as a street busker, as well as trying his hand in the poetry-slam scene; in 1988, he produced a cassette of home recordings called The Banjo Story. In 1989, he moved to New York and tried to break into the city's short-lived "anti-folk" scene, a punk-influenced movement of acoustic singer/songwriters that included Roger Manning and Michelle Shocked. Finding the going tough, he returned to Los Angeles after about a year, and attempted to gain exposure at rock clubs by playing a few songs in between the regular sets.

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