Chicago / Earth, Wind & Fire Greek Theater Tickets - Chicago / Earth, Wind & Fire Greek Theater Concert Tickets

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Chicago / Earth, Wind & Fire Greek Theater Address Information.
Greek Theater Address is
2700 N. Vermont Ave, Los Angeles, CA 90027

Chicago / Earth, Wind & Fire Greek Theater Seating Chart.
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Chicago / Earth, Wind & Fire Greek Theater History, Facts and Information

Earth, Wind & Fire were one of the most musically accomplished, critically acclaimed, and commercially popular funk bands of the '70s. Conceived by drummer, bandleader, songwriter, kalimba player, and occasional vocalist Maurice White, EWF's all-encompassing musical vision used funk as its foundation, but also incorporated jazz, smooth soul, gospel, pop, rock & roll, psychedelia, blues, folk, African music, and, later on, disco. Lead singer Philip Bailey gave EWF an extra dimension with his talent for crooning sentimental ballads in addition to funk workouts; behind him, the band could harmonize like a smooth Motown group, work a simmering groove like the J.B.'s, or improvise like a jazz fusion outfit. Plus, their stage shows were often just as elaborate and dynamic as George Clinton's P-Funk empire. More than just versatility for its own sake, EWF's eclecticism was part of a broader concept informed by a cosmic, mystical spirituality and an uplifting positivity the likes of which hadn't been seen since the early days of Sly & the Family Stone. Tying it all together was the accomplished songwriting of Maurice White, whose intricate, unpredictable arrangements and firm grasp of hooks and structure made EWF one of the tightest bands in funk when they wanted to be. Not everything they tried worked, but at their best, Earth, Wind & Fire seemingly took all that came before them and wrapped it up into one dizzying, spectacular package.

According to Billboard chart statistics, Chicago is second only to the Beach Boys as the most successful American rock band of all time, in terms of both albums and singles. Judged by album sales, as certified by the R.I.A.A., the band does not rank quite so high, but it is still among the Top Ten best-selling U.S. groups ever. If such statements of fact surprise, that's because Chicago has been singularly underrated since the beginning of its long career, both because of its musical ambitions (to the musicians, rock is only one of several styles of music to be used and blended, along with classical, jazz, R&B, and pop) and because of its refusal to emphasize celebrity over the music. The result has been that fundamentalist rock critics have consistently failed to appreciate its music and that its media profile has always been low. At the same time, however, Chicago has succeeded in the ways it intended to. From the beginning of its emergence as a national act, it has been able to fill arenas with satisfied fans. And beyond the impressive sales and chart statistics, its music has endured, played constantly on the radio and instantly familiar to tens of millions. When, in 2002, Chicago's biggest hits were assembled together on the two-disc set The Very Best of Chicago: Only the Beginning and the album debuted in the Top 50, giving the band the distinction of having had chart albums in five consecutive decades, the music industry and some music journalists may have been startled. But the fans who had been supporting Chicago for over 30 years were not. Chicago marked the confluence of two distinct, but intermingling musical strains in Chicago, IL, in the mid-'60s: an academic approach and one coming from the streets. Reed player Walter Parazaider (born March 14, 1945, in Chicago, IL), trumpeter Lee Loughnane (born October 21, 1946, in Chicago, IL), and trombonist James Pankow (born August 20, 1947, in St. Louis, MO) were all music students at DePaul University. But they moonlighted in the city's clubs, playing everything from R&B to Irish music, and there they encountered less-formally educated, but no-less-talented players like guitarist Terry Kath (born January 31, 1946, in Chicago, IL; died January 23, 1978, in Los Angeles, CA) and drummer Danny Seraphine (born August 28, 1948, in Chicago, IL). In the mid-'60s, most rock groups followed the instrumentation of the Beatles - two guitars, bass, and drums - and horn sections were heard only in R&B. But in the summer of 1966, the Beatles used horns on "Got to Get You into My Life" on their Revolver album and, as usual, pop music began to follow their lead. At the end of the year, the Buckinghams, a Chicago band guided by a friend of Parazaider's, James William Guercio, scored a national hit with the horn-filled "Kind of a Drag," which went on to hit number one in February 1967.  

Past and Present Greek Theater Shows
70's Soul Jam Greek Theater - Al Green Greek Theater - Alice Cooper / Cheap Trick Greek Theater - Comes a Time Greek Theater - Avril Lavigne Greek Theater - Cesaria Evora / Madeleine Peyroux Greek Theater - Cesaria Evora Greek Theater - Chicago / Earth, Wind & Fire Greek Theater - Cinderella / Ratt/ Quiet Riot / Firehouse Greek Theater Cream Greek Theater- Crosby, Stills and Nash Greek Theater - Donna Summer Greek Theater - Gipsy Kings Greek Theater - Gypsy Kings Greek Theater - Hall & Oates Greek Theater - Hilary Duff Greek Theater - Jack Johnson Greek Theater - James Brown / Michael McDonald Greek Theater - K-BIG 104 Disco Fever Greek Theater - Kraftwerk Greek Theater - Los Lonely Boys Greek Theater - Los Temerarios Greek Theater - Mark Knopfler Greek Theater - Michael Buble Greek Theater- Paulina Rubio Greek Theater - Sarah McLachlan Tickets Greek Theater - Sugar Water Festival Greek Theater - The Mars Volta Greek Theater - The Moody Blues Greek Theater - Tom Jones / Tower of Power Greek Theater - WAR Greek Theater - WaveFest Greek Theater - White Stripes Tickets Greek Theater- WILCO: The Roots Greek Theater - Interpol Greek Theater - System of a Down Greek Theater - Enrique Bunbury Greek Theater - INXS Greek Theater -Comes a Time Greek Theater Tickets
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