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We have Sarah McLachlan Greek Theater Tickets to the biggest concerts on tour. From the biggest band in the world down to your local club. If there is Sarah McLachlan Greek Theater tickets available we have the tickets. We have been selling Concert Tickets since 1988 and we are registered with the NATB and BBB. We offer a 200% Guarantee on all pre paid Sarah McLachlan Greek Theater Tickets. We are a Los Angeles Ticket broker with four Los Angeles offices and a network of over 1000 affiliated ticket brokers in the US.
Sarah McLachlan Greek Theatre Tickets April 23 Click Here
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More Sarah McLachlan Greek Theater Concerts information
The entire Sarah McLachlan Greek Theater Concerts Schedule and Tickets are available 24 hours a day on our site. If you already have tickets to a Sarah McLachlan Greek Theater Concerts event check out our Sarah McLachlan Greek Theater Concerts Seating Chart.
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Sarah McLachlan Greek Theater Address Information.
Greek Theater Address is
2700 N. Vermont Ave, Los Angeles, CA 90027
Sarah McLachlan Greek Theater Seating Chart.
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Sarah McLachlan Greek Theater History, Facts and Information
McLachlan, a Halifax native, spent years studying classical piano, guitar and voice, before being discovered fronting the band October Game in 1985 by execs at Nettwerk Records. She was 19, and had no experience writing any original material, but they signed her to a development deal which would cultivate the young artist's talent over a 3 year period in a new environment - Vancouver.
With the assistance of drummer Darryl Neudorf (54.40) and keyboardist Darren Phillips (After All) she made her recording debut with 1988's 'Touch'. With its ethereal lead off single, "Vox", the disc went gold in Canada.
While enthusiasm grew with her next album, 1991's 'Solace', Sarah was gaining a reputation as part of the new movement of female acoustic folk acts. Her stunning videos for the hits "Drawn To The Rhythm" and "Into The Fire" made her artistic creations part of the MuchMusic popular visual domain as well (read: she had been drawn into the MTV culture club).
Her audience was swelling underground and her popularity as a performer was being confirmed as she moved from opening act to headliner and 1993's 'Fumbling Towards Ecstasy' would establish her as a contender in the eyes and ears of the US market. The solid foundation of the album was built on the strength of the radio hits "Hold On", "Possession" and "Good Enough".
Another 3 years passed before McLachlan was able to once again offer her rabid fanbase a new original platter. In defence, while the peddles were spinning, Nettwerk offered up two curios in the 1994 "live-off-the-floor" 'Freedom Sessions' disc (which featured a version of Tom Waits' "Ol' 55"), followed by a collection of rarities and besides including McLachlan's version of "Dear God" from an XTC tribute album.
1997's 'Surfacing' was the result of a long dry bout of writers' block following the long touring schedule from the previous 'Fumbling Towards Ecstasy'. The album took 8 months to produce and featured the additional help of McLachlan's newlywed husband, Ashwin Sood (drums), Brian Minato (bass, guitar), Pierre Marchand (keyboards, bass), and the Barenaked Ladies' Jim Creeggan (bass).
In the summer of '97 she launched a 35 date travelling concert caravan known as Lilith Fair conceived by McLachlan herself and was designed to highlight other female artists and their accompanying acts on two stages featuring the likes of Suzanne Vega, Indigo Girls, Paula Cole, Dayna Manning and Tracy Chapman among others. The tour gained steam and North American media exposure made it necessary to add a second leg.
With The Lilith Fair being one of the top grossing concert draws of 1997, by year's end McLachlan had sold five million albums worldwide which was only capped by her four Juno win at the 1998 Juno Awards in Vancouver.
Hot on the heels of a double live CD for Lilith Fair, McLachlan took the show on the road again in 1998 with a new roster and new exposure to untapped audiences. She appeared on two more volumes of Lilith Fair performances, released in May 1999, and put together her own live album, 'Mirrorball', on June 15, 1999. In yet another indication of McLachlan's commercial stature, he Internet giant amazon.com began taking pre-orders for the album more than two months prior to its release; first-week orders immediately catapulted 'Mirrorball' into the No. 1 spot on the company's music charts. She also announced that Lilith Fair '99 would be the final outing for the popular festival.
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